Writer: Matt Chow

The main problem of the film is the lack of development for the romance; the actual feelings between the two lacks genuine heart and therefore undermines any chemistry.

Clearly a set of well-intentioned, though poorly executed, morality plays, ‘Ghost Office’ proves itself in the long-run to be an enormous flub.

‘Juliet In Love’ could be well-described as an economic and perhaps minimal love story; there are no grand gestures or over-the-top histrionics.

The driving force of the film is Dayo Wong’s strutting performance – an aspect that viewers will either love or loathe – and the outrageous scenes of various losers battling on the karaoke stage.

‘Love Undercover 3’ is packed with a cast all too willing to overact for the camera while also featuring a somnolent leading man who offers little for Sit to work with.

When the closing credits rolled, I opined that I had lost a full ninety minutes that would’ve been better used watching one of these sub-genres more accomplished works.

‘Three Of A Kind’ is harmless enough as a stand-alone feature despite its serious flaws. It isn’t necessarily painful to watch, but any film that has such a lack of creativity is hardly going to inspire.

‘Till Death Do Us Laugh’ hits a nice balance of horror and comedy, with neither outweighing the other, whilst never taking itself so seriously as a collective that the audience can’t have a bit of fun with it.

The enjoyment that is had from viewing this modest, yet mostly rewarding production is that it is a character piece that avoids action or histrionics.