Genre: Martial Arts

The action lacks any spark or excitement and the narrative fails to grab onto the viewer in the slightest.

After my thoughts that he might well be resigned to uninspiring Hollywood fodder, I’m glad to eat humble pie and say that ‘Shanghai Knights’ contains some of his best action in recent years.

‘Shanghai Noon’ is not as action packed or original as some of Chan’s early efforts, but it is still one of his best American outings to date.

If you’re a fan of Biao or Sammo, this will make an unremarkable, but enjoyable addition to your collection; if you’re indifferent to either, the chances are you will feel the same about this film.

The dramatic framework is sturdy enough to make ‘Shaolin’ emotionally engaging, while the Yuen Kwai-orchestrated action is a delightful throwback to the Golden Age.

There are some plot holes that become apparent as the film continues, but good quality action and a fine cast cover a multitude of sins.

Frivolous of plot it may be but director Huang Ta makes up for the lack of narrative meat by stuffing the film with superb fight action.

Liu lights up the screen with his explosive bootwork while Jack Long and the endearing Blacky Ko provide extra physical presence.

It boasts some top notch fight scenes which are further enhanced by another standout performance from the late great Lo Lieh.

‘Shaolin Intruders’ doesn’t offer any of the genre-defining moments that leap out of the true masterpieces of the genre.

‘Shaolin Kung Fu’ is really just a series of weak fight sequences strung together by a paper thin plot.

Although ‘Shaolin Mantis’ is a well made and above average, it undoubtedly disappoints when compared with Liu Chia-Liang’s best work.