Producer: Ng See-Yuen
BloodmoonFeb 24, 2015
Recommended to all fans of Gary Daniels, and those who like their hands free action violent and acrobatic.
Dance Of The Drunk MantisMar 5, 2015
Yuen Woo-Ping and his brothers fill the film with stunning ‘drunken’ conflicts and duels.
Drunken MasterMar 9, 2015
No one who claims to be a Hong Kong action cinema fan or a true Chan fan should be without a copy of this movie.
Kidnap In RomeApr 3, 2015
‘Kidnap In Rome’ is far too preoccupied with the activities of the bumbling Italian trio who ‘aid’ Bruce Leung.
Lackey And The Lady TigerApr 4, 2015
‘Lackey And The Lady Tiger’ is inoffensive genre fodder that is evidence that Mars is much more than just a stuntman.
Legend Of A FighterApr 6, 2015
Considering they both draw inspiration from the same source, it’s no surprise that ‘Legend Of A Fighter’ often feels a little too similar to ‘Fist Of Fury’.
Ninja In The Dragon’s DenMay 4, 2015
‘Ninja In The Dragon’s Den’ stands out as a fully-accomplished kung-fu comedy with superb fight action.
No Retreat, No SurrenderMay 4, 2015
It’s far better than other American style martial arts movies such as ‘China O’Brien’, ‘American Shaolin’ and the like, showing what can be done if a little extra time is taken over the choreography.
Once Upon A Time In China IIMay 7, 2015
In my opinion, this film does not have the same numerous levels within its story which made the first such an all round classic, however, much of the action is just as impressive.
Once Upon A Time In China IIIMay 7, 2015
Tsui Hark very cleverly realised that topping the fight action in part 2 would be almost impossible, and adopted a different style accordingly.
Once Upon A Time In China IVMay 7, 2015
The action (ladder fight excepted) is equal to part 1, but not the dramatic element, and it is certainly not the equal of part 2 for fight choreography.
Once Upon A Time In China VMay 7, 2015
For those that hate the frequent use of wire-fu (like me), you better look elsewhere as action choreography for this film relies heavily upon its use.