Writer: Lillian Lee

Bathing various scenes with the visual potency that alludes to Tsui Hark and with a rousing soundtrack at his disposal, Ching Siu Tung unleashes a minor epic that is highly recommended.

An eclectic and compelling triumvirate of screen darkness, it would be a shame if this marked the end of the ‘Three’ experiment. How about a film from female directors for the next instalment?