Author: Andrew Saroch

‘Life Must Go On’ is not a cavalcade of hilarity nor is it remotely original, but it is a pleasant surprise and another reminder of the life left in Hong Kong cinema.

It’s not intended to be a stinging critique, but more an affectionate look at something that weaves together every culture on the planet: the way we mourn.

Scenes are chopped at strange junctures, the plot jumps all over the place and the simple act of allowing actors to have proper reaction shots to the drama unfolding is mostly absent.

‘Table For Six’ blends wit with appealing characters, and the dynamic between the sextet is a real strength for the film.

Andrew Saroch pays tribute to the illustrious career of Hong Kong actor and action director Mang Hoi (孟海).

It will forever be a footnote in Yeoh’s career (especially now) but it offers a comforting bit of nostalgia. And not a great deal else, sadly.

Made before Anthony Wong’s star went truly stratospheric in Hong Kong, this is one of the fun little films that you remember when it was released but never got the opportunity to watch it.

‘Hidden Hero’ is nothing more than functional, unlikely to ignite any excitement in even the biggest Chang Cheh fan.

Chan Wai-Man and Lau Kar-Wing do make a good Sid James and Bernard Bresslaw-type double-act. Only with more fighting ability.

‘Hidden Strike’ is an entertaining film though the computer effects sometimes lack finesse and the wirework for an ageing Jackie Chan has become too obvious.

Everything is so over-the-top and forced while desperately trying to drag all of those ensemble hits of yesteryear kicking and screaming into the 21st century. The result is a bizarre mix.

While the makers were patting themselves on the back over the look of the film, they decided that any great set-pieces would dilute the view and ensured that none troubled the film.