Author: Andrew Saroch

From the opening frames to the triumphant ending, every frame in this work of sublime cinema is an unbridled joy, an ingenious mixture of excitement, character and dry humour.

The film that started it all has an intriguing mystery element to it that keeps the viewer engaged in the storyline and Chang Cheh even plays with elements of gothic horror in the way it’s shot.

Rough around the edges it might be, but ‘Shaolin Temple’ is more than a milestone in China’s cinematic history – it’s an ambitious production that manages to pay off.

‘The Villagers’ is a fine action-thriller, tackling darker themes while still being able to weave in humour and pathos. Highly recommended.

There’s crisp action throughout, a captivating story, a bittersweet ending and plenty of ammunition to suggest that Lo Wei did know what he was doing.

A heart-warming love story, a powerful comment on the treatment of the elderly in China (though it can be extended worldwide) and a stunning drama that looks at how the marginalised survive.

‘Hitman in the Hand of Buddha’ is often very decent, but its flaws drag it away from approaching the top tier of the genre.

The action is slick and just about gets the balance right between computer effects and practical choreography, while the cast are appealing.

‘The Moon Thieves’ is a decent action thriller that never quite ignites in the way that the classics do, but has plenty to recommend it.

‘The 14 Amazons’ is one of those brash, bold and defiant Hong Kong hits of yesteryear that continues to find new admirers.

It doesn’t always draw the viewer in the way that might be expected, yet it eventually develops into an intriguing drama where a fusion of exceptional acting and thoughtful direction ensure its success.

‘Nine-Ring Gold Dagger’ might not have that hook that keeps the viewer on board throughout, but there is enough promise to make it a more than adequate watch.