Features

As the Hong Kong box office continues to prosper, four films have really come out on top and earned themselves a place in HK cinema history.

Isaac returns with the first of a three-part series looking at 2022, Hong Kong cinema’s year of miracles.

Vasily Pugh offers up his opinions on Meredith Lewis’s ‘Ask For The Moon’, a book that examines the practices and works of the Shaw Brothers studios.

Vasily Pugh reveals that he still has a soft spot for the English dubs used in the classic Hong Kong films from the past.

Vasily Pugh remembers the first time that he witnessed the impressive feats of actor Kim Won-Jin in ‘Operation Scorpio’.

Andrew Saroch commemorates the career of Hong Kong actor Ng Man-Tat (吳孟達).

Vasily Pugh suffers through one of Hollywood’s most recent female-centric filmmaking efforts and can’t help but compare it with a Hong Kong classic from yesteryear.

Far East Films talks to Hong Kong writer and director, Norris Wong (黃綺琳).

Vasily Pugh waxes lyrical about one of the true American martial arts cinematic gems from the 1980s – ‘The Last Dragon’.

Vasily Pugh can’t help but twitch as he reads over the various announcements proclaiming that Bong Joon-Ho’s ‘Parasite’ has finally made Korea cool!

Isaac provides details on the recent meeting of the Hong Kong Stuntman Association and the winners of their award ceremony.

Isaac reveals the winners of the 2019 Hong Kong Film Critics Society Awards and takes a look at what they mean for the current state of Hong Kong cinema.

Isaac assesses the performance of Hong Kong cinema throughout 2019, and looks ahead to see what 2020 will hold.

Isaac looks back at the life of Hong Kong actor, producer, director and screenwriter Lee Siu-Kei who recently lost his battle against liver cancer.

Isaac recalls the days of the Hong Kong action superstars and who could possibly pick up that mantle today.

Isaac examines the recent events that led to the blacklisting of two actors, Anthony Wong and Chapman To, in China.

Isaac explains his belief that there is one person who may hold the key to the future of the Hong Kong film industry, and that man is Louis Koo.

Isaac takes a look at the highs and lows of this year’s Hong Kong Film Awards presentation ceremony.