Cast Member: Anita Yuen

Herman Yau’s conclusion to the story deserves its place among its contemporaries. And any film with Anthony Wong giving his all is well worth adding to your collection.

It just appears that Wong Jing wanted to please everyone by cramming the storyline with action, crazed innuendo and sudden plot twists.

‘Love Trilogy’ is a fine film that flawlessly juggles three stories while also hinting at some exquisite symbolism to cement its point.

It may be a throwback, perhaps an antiquated one to some, but in an era of uninspiring cinema, it’s strangely welcome.

A gripping and often uncompromising look at the Hong Kong drug trade from the seller’s and user’s side, Derek Yee’s ‘Protégé’ is one of the finest dramas to come out of Hong Kong in recent years.

It’s no surprise that this Tsui Hark comedy was a box-office smash as it allows the viewer to enjoy superior character interaction and sharp comic routines.

Despite its flaws, ‘The Goldfinger’ is an entertaining and well-acted piece of cinema with the highlights being the face-to-face meetings of Lau and Leung throughout the film.

Director Frankie Chan does, to his credit, use some intriguing environments and fully capitalises on the grandeur of the wild landscape. However he pays little intention to any logical development of plot or characters.

If like me, you have already come to terms with how often Jackie does use doubles, compared to how much we are led to believe, then the film is worth four stars due to the quality car and fight action.

‘Till Death Do Us Laugh’ hits a nice balance of horror and comedy, with neither outweighing the other, whilst never taking itself so seriously as a collective that the audience can’t have a bit of fun with it.