Genre: Comedy

For those of us who have grown up with Jackie Chan, this leaves quite an impression; it recalls an era of cinema, not just Hong Kong but worldwide, that will never be repeated again.

Loaded with larger-than-life characters and absolutely overflowing with gore, ‘Riki-Oh: The Story Of Ricky’ is an insane outing that hops from one bizarre confrontation to another.

‘River’ might not reach ‘Beyond the Infinite Two Minutes’ heights of loopy brilliance, but it’s another mixture of Japanese invention and wit that is sure to please those looking for an antidote to bloated Hollywood excess.

Despite some wonderful Jackie moments it proves to be a movie where the need to be ‘cute’ is more important than the desire to entertain.

Utilising a premise that is tailor-made for technology-mad Japanese audiences, Yaguchi achieves a partial return to the superlative form of yesteryear.

‘RoboGeisha’ is likely to be the best film about a robot Geisha ever made, has midnight movie cult status written all over it and if you are in the mood for it, is an absolute hoot.

An extremely dated Category III exploitation flick that, a few nasty bits aside, is more camp than cool.

What this interesting little oddity lacks in thrills and spills it therefore makes up for in good ol’ 80s synth-pop, day-glo, bubble-permed fun.

‘Romantic Island’ has a charm that makes it much more appealing than just a picture-postcard sent to lift the spirits would be.

While ‘Rosa’ isn’t one of the best action-comedies to come out of Hong Kong in the 80’s, it is still a constantly watchable one.

‘Rose, Rose I Love You’ is less of a straight lampoon of 60s Hong Kong cinema and more of a genuine attempt to harness the spiritedness of the original.

Added to the humour is the furious action orchestrated by Ching Siu-Tung that makes this much more than the average comedy film.