Genre: Drama

The action lacks any spark or excitement and the narrative fails to grab onto the viewer in the slightest.

Despite its laudable aims, ‘Shanghai Fever’ suffers from its mixed messages and a confusion over what the film’s intention is.

If you’re a fan of Biao or Sammo, this will make an unremarkable, but enjoyable addition to your collection; if you’re indifferent to either, the chances are you will feel the same about this film.

The dramatic framework is sturdy enough to make ‘Shaolin’ emotionally engaging, while the Yuen Kwai-orchestrated action is a delightful throwback to the Golden Age.

Frivolous of plot it may be but director Huang Ta makes up for the lack of narrative meat by stuffing the film with superb fight action.

It boasts some top notch fight scenes which are further enhanced by another standout performance from the late great Lo Lieh.

‘Shaolin Intruders’ doesn’t offer any of the genre-defining moments that leap out of the true masterpieces of the genre.

Although ‘Shaolin Mantis’ is a well made and above average, it undoubtedly disappoints when compared with Liu Chia-Liang’s best work.

Although an above average kung-fu flick (as you’d expect from Chang Cheh) this is one of the weakest of the Venoms films.

‘Shaolin Temple’ is still a major achievement by a film-maker who was one of the true creators of the genre. There is, therefore, plenty to put this near the top of your viewing list.

‘Shaolin Vs. Lama’ is a notch above most Taiwanese chop sockies simply because Lee Tso-Nam knows how to keep it interesting.

It’s certainly not perfect and not among Jackie Chan’s best films, but there is ample entertainment value.