Rating: 3.5

It’s hard not to be drawn into director Wang Yu’s eccentric world with its almost Python-esque techniques and fights.

Groovy, gory, good time from ‘The Night Comes for Us’ director Timo Tjahjanto, ‘May the Devil Take You’ ramps up the craziness when the devil decides to collect his dues.

It’s always good to see a film about children with enough depth and maturity to appeal to everyone.

Each of the protagonists has their own trial to overcome, each has a solid character arc, and each contributes to the infectious enthusiasm created herein.

Definitely a film of two halves, ‘Midnight Fly’ is a brave, uncompromising, yet not always successful Jacob Cheung feature.

Donnie Yen takes on a role similar to the one he played in ‘Drunken Tai Chi’ and once again shows how effortless it is for him to combine incredible physical aptitude with a pleasing screen persona.

Good looking, slickly made, period-set monster action, ‘Monstrum’ lives up to its title, concept and cover art and delivers some rollicking giant creature action.

While it is undoubtedly still flawed, ‘Mortal Kombat’ remains one of the most admirable big screen video game adaptations and a competent American Martial Arts movie.

Bookended by two outstanding train-based action sequences, ‘Moscow Mission’ starts with a bang before settling into a more standard, yet still entertaining, police procedural.

‘Motorway’ is a stripped down action thriller that dispenses with such luxuries as sub-plots to concentrate fully on the battle between cops and robbers.

‘Mr & Mrs Single’ still retains a certain freshness that is surprising considering how well-worn the themes are.

If the more ambitious nature of the production can be ignored and the awkward jingoism put to one side, ‘Mr. Cinema’ can be enjoyed as a well-performed, sometimes captivating film.