Cast Member: Anthony Wong

The title bears no resemblance to the film it makes you think of and also bears little relevance to anything in this actual film, instead ‘Roaring Dragon, Bluffing Tiger’ is just a dull and lazy wannabe adventure flick.

Some of the more eccentric moments do inspire a wry smile, but nothing to fully salvage the end product.

‘Simply Actors’ represents a modest enough cinematic diversion, even superficially entertaining in passages, for modern Hong Kong cinema aficionados.

‘Still Human’ is everything that good Hong Kong cinema can be. It tells a good story without pomp, grounds it in reality and focuses on ordinary everyday folk.

ordon Chan can certainly do entertaining fantasy action but the various elements of ‘The Four’ just don’t gel meaning there are moments of fun but on the whole it’s all just a little dreary and long winded.

‘The Iceman Cometh’ remains one of Biao’s finest leading man moments. It’s packed full of great performances, enjoyable kung fu fights and a very unique story.

The main problem with ‘The Medallion’ is it looks just like a Hollywood film with a modest budget. In fact it’s not even as good as his Hollywood films, including ‘The Tuxedo’.

Within this wonderfully crafted and thoroughly satisfying film is enough reasons to have full assurance in the future of Hong Kong cinema.

‘The Storm Riders’ is a film that all Hong Kong film fans will want to watch for its reputation. Whether or not it’ll stay in the viewer’s mind much longer after the final credits role is a different matter.

Despite what flaws ‘The Twins Effect’ has, it never actually suffers as a result of them as it always retains the viewers interest and successfully juggles comedy, action and horror.

If you enjoy some bloody mayhem then it’ll definitely suffice, but it’s highly likely that the majority of viewers will find that there just isn’t enough meat in this bun to truly satisfy.

‘The World Of Treasure’ notches up the odd moment of entertainment during its course and arouses sporadic interest. However, as a Michael Hui film, or even a general Hong Kong comedy it is found wanting.