Country: Hong Kong

With this fourth part the formula remains in place and the whole production has the very comfortable feeling of familiarity to it.

If the rest of the film had been as good as the last half hour then ‘Prince of the Sun’ would be more fondly remembered.

Using the conventions of the 30’s Hollywood swashbucklers mixed with his insane stunts and sublime fight action, Chan produced one of his best ever films.

It was impossible to match the original classic, but Chan pulled out all of the stops to make sure he gave it his best.

Stanley Tong continues to show his skill in the action genre with more kinetic direction.

A gripping and often uncompromising look at the Hong Kong drug trade from the seller’s and user’s side, Derek Yee’s ‘Protégé’ is one of the finest dramas to come out of Hong Kong in recent years.

‘Protégé De La Rose Noire’ is an extremely exaggerated and silly comedy that really failed to tickle any part of my funny bone.

It’s undeniably rough around the edges, but in its favour it has a solid cast and some good interaction between the characters – certainly worth an evenings viewing.

A stylish and moody piece from one of the masters of style and mood, ‘PTU’ is a dark journey into the equally dark heart of Hong Kong where the cops are almost as corrupt as the criminals.

If you’re not expecting a deep examination into Asia’s politics then ‘Purple Storm’ is an absorbing and emotionally charged action-thriller that does more than just pass the time.

‘Queen Of Kowloon’ is a needlessly miserable drama that prefers wallowing in empty disaster to telling a story we might actually find ourselves involved in.

A bit of ‘Heat’ mixed with Chan’s own ‘Invisible Target’, ‘Raging Fire’ hits hard in both the action and drama, the much-missed director delivering one of his finest.