Genre: Comedy

Far more subtle than Chow Sing Chi, but certainly as funny, ‘Security Unlimited’ is an excellent introduction to the world of the Hui brothers.

‘Seoul Raiders’ is not only a disappointment in comparison to ‘Tokyo Raiders’, but also a worrying reminder of the recent lack of sparkle in Hong Kong action cinema.

Masayuki Suo has constructed an often hilarious comedy mixed with a tender kernel that proves to be irresistible.

‘Shanghai Blues’ is, overall, superior entertainment, but by the time the end credits roll its hard not to think of what might have been.

After my thoughts that he might well be resigned to uninspiring Hollywood fodder, I’m glad to eat humble pie and say that ‘Shanghai Knights’ contains some of his best action in recent years.

‘Shanghai Noon’ is not as action packed or original as some of Chan’s early efforts, but it is still one of his best American outings to date.

Liu lights up the screen with his explosive bootwork while Jack Long and the endearing Blackie Ko provide extra physical presence.

As is often the case with Chow’s movies, what really sets it apart from other outings in the genre is the inclusion of a heartfelt story.

Rough around the edges it might be, but ‘Shaolin Temple’ is more than a milestone in China’s cinematic history – it’s an ambitious production that manages to pay off.

It is heartfelt, but never cloying, sentimental, but never to the point of being overly orchestrated and the kind of gentle tear-jerker that stirs the mind as much as the heart.

‘Simply Actors’ represents a modest enough cinematic diversion, even superficially entertaining in passages, for modern Hong Kong cinema aficionados.

‘Sixty Million Dollar Man’ is a lazy and disappointingly unfunny outing for all concerned.