Genre: Drama

‘Life Must Go On’ is not a cavalcade of hilarity nor is it remotely original, but it is a pleasant surprise and another reminder of the life left in Hong Kong cinema.

This is the kind of stripped down thriller that Hong Kong can still do so well and proof that, while output has become a mere trickle, the quality is still there.

‘Lion vs. Lion’ is so frustrating because when it’s good, it’s superb. Sadly the focus tends to be on the comedic aspects of the film which range from the amusing to the banal.

With strong performances from its two leads, a cast of solid background characters and a nod to the indomitable spirit of the Hong Kong people, ‘Little Big Master’ is captivating viewing.

Director Lee Chi Ngai has crafted a film that contains some scenes of immense beauty that will stay with the discerning viewer for weeks after watching them.

‘Lost in Thailand’ is a remarkable debut for writer/director Xu Zheng, especially as his turn as the film straight man is also so impeccable.

With characterisation so strongly emphasised in the film, it’s encouraging to see that both of the pivotal figures are empathetic enough to make Derek Yee’s goal successful.

The idea of an introspective love story may not sound too appealing, but this is the kind of film that truly rewards the patient viewer.

A poignant family drama with dashes of dry humour, ‘Love Education’ is a film that director and star Sylvia Chang can be suitably proud of.

A 4 hour, yes 4 hour, epic about love, religion and all manner of weirdness from one of Japan’s most out there directors, Sion Sono.

A heart-warming love story, a powerful comment on the treatment of the elderly in China (though it can be extended worldwide) and a stunning drama that looks at how the marginalised survive.

‘Love Trilogy’ is a fine film that flawlessly juggles three stories while also hinting at some exquisite symbolism to cement its point.