Genre: Thriller

A well-scripted, superbly executed thriller with a formidable triumvirate at the centre, this could well be one of the best genre films to have come from Asia in the past few years.

While ‘Overheard’ was an excellent homage to the great American conspiracy films of the 70s, the in-name-only sequel is a more routine two hours with a far less incisive denouement.

Wordy, but with nothing to say, this is a verbose movie populated by monumentally dull characters and bland ‘twists’ that fail to hold the attention.

There is not as much fighting as older Sammo films, but what is on show is up to his modern-day best – also showcasing Sammo’s last great physical performance.

The third instalment in the ‘SPL’ franchise sees original director Wilson Yip return for another dark crime tale that doesn’t skimp on the nihilism or the hard edged fight action.

It’s easy to see why ‘Parasite’ won the Palm d’Or at the Cannes Film Festival. Bong Joon-ho’s latest is no mere pretender to greatness; it’s the genuine article.

‘Phobia 2’ sees many of the previous entry’s directors, writers and producers return to now tell five new short tales of terror and is, surprisingly, a superior slice of portmanteau horror.

Taking the concept of multiple personalities and giving it a sci-fi twist, ‘Plurality’ is a confident and well shot attempt at copying the Hollywood gloss

Full of strong performances and that subtle yet unrelentingly grim atmosphere that Asian films do so splendidly, ‘Pluto’ is a necessary film.

‘Police Story’ is one of the finest examples of 80’s Hong Kong cinema, with so many amazing elements that make it a joy to behold.

‘Prisoners of the Ghostland’ unfortunately doesn’t deliver on its promise of uniting Cage and Sono in a tale of post-apocalyptic rescue.

The makers conjure an intense and propulsive energy that keeps the flick moving and engaging, mounting the action with innovative verve to deliver powerful action scenes.