Genre: Thriller
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Double Team
Mar 8, 2015It’s not exactly the best Van Damme movie around, but ‘Double Team’ remains entertaining fluff thanks to a few entertaining action highlights.
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Dr. Lamb
Mar 8, 2015Despite the occasional bloody highlight, ‘Dr. Lamb’ is a tough film to recommend as it often feels like little more than a collection of brutal murders.
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Dragon Eyes
Mar 8, 2015The film wastes the majority of talent involved and meanders along without anything even remotely memorable to offer.
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Easy Money
Oct 2, 2023It will forever be a footnote in Yeoh’s career (especially now) but it offers a comforting bit of nostalgia. And not a great deal else, sadly.
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Edge Of Innocence
Sep 20, 2017‘End of Innocence’ won’t be counted among the great thrillers to come out of Asia in recent years, but it’s a more than competent effort and generates real tension before the credits roll.
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Escape Of Shark
Sep 20, 2022‘Escape of Shark’ is a remake of Australian thriller ‘Bait’ which, while not a masterpiece either, is several notches above this effort.
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Europe Raiders
May 29, 2019Unfortunately for Jingle Ma, ‘Europe Raiders’ is dated in a way that the nearly twenty years old ‘Tokyo Raiders’ isn’t, a production old before its time despite the 2018 bells and whistles.
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Exiled
Mar 10, 2015‘Exiled’ is a riveting portrayal of a group of friends sticking by one another as their once chosen profession threatens to kill them all.
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Fairy Tale Killer
Mar 10, 2015‘Fairy Tale Killer’ tries so hard to be an intelligent thriller that it forgets to be thrilling or exciting.
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Fatal Love
Mar 11, 2015Little bursts of bone jarring violence, especially the bloody conclusion, help raise the stakes to remind you that you’re not watching ‘Pretty Woman’.
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Female Prisoner #701: Scorpion
Jul 4, 2018Fans of exploitation cinema as well as students of international cinema and its trends will have solid reward from ‘Female Convict #701: Scorpion’ and the powerful ferocity of the onscreen tale of love, betrayal and revenge it weaves.
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Fierce Cop
Jun 30, 2025While ‘Fierce Cop’ flip flops between melodramatic exploitation and a serious examination of trafficking, it thankfully keeps proceedings thundering along with Kenji Tanigaki’s excellent action design.