Rating: 4.0

‘Black Belt’ could well be a cult hit that influences those who follow it. It is not a flawless masterpiece, but its differences – as well as its similarities – make it a work that is worthy of its popularity.

Part 2 showed some nicer choreography but was hindered by the MTV-style camera work, which has seemingly infected all action films of the past few years.

Billed as Takashi Miike’s 100th film at the time of release, ‘Blade of the Immortal’ sees the enfant terrible deliver one of his best films of recent: both violently excessive and beautifully crafted.

A classy affair all round, ‘Blades of Blood’ is an invigorating and hugely enjoyable slice of chanbara styled storytelling from Korea.

A straightforward martial arts film it may be but is all the better for it and features a great cast, blistering fight scenes and proves that sometimes old school is the best school.

Takeshi Kitano has played a gallery of rogues during his career, but his performance as Shunpei Kim, a brutal Korean immigrant in Yoichi Sai’s ‘Blood and Bones’ is his most powerful.

Overall it’s a wonderful film, a blockbuster people call it, and maybe it is, but really for us Asian movie fans this is what it’s all about – a hard hitting, hard punching film with a heart of gold and a fist of iron.

For newcomers, it may prove a little difficult to get into and occasionally confusing but those already enjoying Kitano’s films will easily find several merits here that are synonymous with his best work.

It’s basically just ninety minutes of acrobatic fight sequences, nail-biting stuntwork and laughable plot devices, so enjoy!

Scott Adkins returns to one of his signature roles in this fourth instalment of the ‘Undisputed’ franchise and, much like Parts 2 & 3, he and the film deliver.

‘Breaking News’ is punctuated by tension-filled action set-pieces, but its main draw is the sharp characterisation and the insightful critique of the media that fills most of the running time.

This is a surprisingly exciting and often blackly comic thriller that borrows from ‘Prison on Fire’ but does so with real skill.