• 92 Legendary La Rose Noire

    Jul 19, 2015

    If any viewer has been brought up on the Hong Kong musicals that Jeff Lau’s work alludes to, this will be highly recommended.

  • A Kid From Tibet

    Apr 3, 2015

    Without a doubt, ‘A Kid From Tibet’ is a hugely enjoyable action comedy that is the perfect showcase for the multi-talented Yuen Biao.

  • All’s Well, Ends Well

    Feb 17, 2015

    There’s still enjoyment to be had in this Hong Kong comedy though as long as the potential viewer is willing to forgive its various shortcomings.

  • Best Of The Best

    Feb 22, 2015

    Thanks to some solid acting, engaging characters and a little bit of gunplay action this isn’t a bad little romance-gone-bad/crime picture.

  • Blackbelt

    Aug 26, 2020

    Along with all the sweet kickboxing action the flick crams in a fair chunk of graphic gore and a surprising amount of drama for a low budget B-movie.

  • Bloodfist III: Forced To Fight

    Dec 31, 2016

    If you’re okay with a few obvious plot devices and some basic fisticuffs, then this may make for a worthy addition to your collection.

  • Bloodfist IV: Die Trying

    Feb 7, 2017

    If you’re just looking for a quick burst of schlocky, action-packed fun then this will certainly make the grade.

  • Cageman

    Feb 27, 2015

    Jacob Cheung’s celebrated drama is that magical juxtaposition of gritty social commentary and absorbing character study that many lesser directors aspire to replicate.

  • Changing Partner

    Feb 28, 2015

    ‘Changing Partner’ has enough moments of genuine amusement to help paper over the cracks.

  • Cheetah On Fire

    Feb 28, 2015

    An excellent set of combat sequences strung together with little reason but to get the adrenaline pumping.

  • Deadend Of Besiegers

    Mar 5, 2015

    ‘Deadend of Besiegers’ is 90 minutes of excellent entertainment featuring some brilliant wireworked fights and a rare chance to see Yu Rong Guang carry a film and play a hero.

  • Deadly Dream Woman

    Mar 5, 2015

    A deeply unfunny comedy from director Taylor Wong who allows all pace and narrative flair to disappear out of the window after the first ten minutes.