Country: Hong Kong

It’s best viewed as an occasionally enjoyable diversion that, on sporadic occasions, hints at how good a reboot of one of the 80s most iconic film series could be.

‘From Vegas To Macau II’ gets very mild commendation for a few nods to past glories and the occasional joke that doesn’t feel like waterboarding.

Packed with the deluge of banality and popular references that will doubtlessly age the film well before it’s time, this third part is every bit as frustrating and lazy as the one that came before it.

Michael Hui uses moments of slapstick, social conscience and satire in conjunction with his flawless timing.

‘Frugal Game’ is a pleasant comedy that stands out of the rest of the market because of its odd glimpse of invention.

‘Full Alert’ is more focused on crime and the effects of violence on the average man than it is on the dynamics of the police thriller.

‘Full Contact’ is a true action classic that boasts strong leading performances, inventive direction and mind-blowing fight scenes.

It certainly doesn’t break new ground or quite manage to sit amongst the classics, but it’s a solid and stylish gunplay flick that delivers on a number of levels.

The film sags in the middle and therefore loses it’s way, however it remains undemanding entertainment.

By avoiding Hollywood histrionics or schmaltz, a well-worn plot again manages to seem fresh and deeply moving.

‘Future Cops’ is definitely worth a look for its crazy action and glittering cast, but be warned that the middle section may make you reach for the fast-forward button.

Seemingly endless scenes of two annoying kids, empty nods to whatever is currently in popular culture and a few moments of teeth-grindingly insincere pathos.