Country: Hong Kong
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All About Women
Feb 16, 2015‘All About Women’ is hard work, something I never thought I’d be writing about a Tsui Hark film.
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All For The Winner
Feb 17, 2015‘All For The Winner’ is a fun all-round movie with a particularly pleasing performance from Stephen Chow.
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All Night Long
Feb 17, 2015‘All Night Long’ is a vehicle for four fine actresses and a film-maker who may not have made a significant contribution to Asian cinema, yet shows with this production that his skills are worthy of merit.
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All The Wrong Clues
Feb 16, 2015It’s such a shame that one of Lam’s more appealing roles is hamstrung by unusually poor direction from Tsui Hark.
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All The Wrong Spies
Feb 16, 2015Despite the weakness of its central performance, ‘All The Wrong Spies’ does incorporate the zest of the Cinema City films that dominated the early 80s.
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All U Need Is Love
Sep 17, 2021It has to be admitted that there are some decent moments within the film and it certainly brings more smiles to the face than many a Chinese New Year comedy of the past.
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All’s Well, Ends Well
Feb 17, 2015There’s still enjoyment to be had in this Hong Kong comedy though as long as the potential viewer is willing to forgive its various shortcomings.
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All’s Well, Ends Well ’97
Feb 17, 2015Chow Sing-Chi completists may want to seek it out, but everyone else should divert their attention to his many more accomplished films.
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Along Comes A Tiger
Apr 16, 2021Once again, Wu Ma has delivered an independent genre flick that is involving, utilising his excellent cast well and making a very predictable story about revenge something a little different.
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Always On My Mind
Feb 17, 2015The best advice I would give to anyone is to stick with this excellent production through its slower moments as there is much to savour here.
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Ambitious Kung Fu Girl
Feb 17, 2015It is a diverting 90 minutes with a few well constructed scenes scattered throughout, but this hardly compensates for its waste of potential.
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An Amorous Woman Of Tang Dynasty
Dec 17, 2017Somewhat frustrating due to its fractured narrative, yet compelling within its aesthetic and themes, Eddie Fong’s directorial debut remains a unique experiment of its era.