Country: Hong Kong

Somewhat frustrating due to its fractured narrative, yet compelling within its aesthetic and themes, Eddie Fong’s directorial debut remains a unique experiment of its era.

This highly acclaimed romantic drama proves once again that Hong Kong cinema can be very subtle and is far more varied than some would have the public believe.

Everything is so over-the-top and forced while desperately trying to drag all of those ensemble hits of yesteryear kicking and screaming into the 21st century. The result is a bizarre mix.

‘And I Hate You So’ could and should have been much better; instead the viewer is left with a good film that simply didn’t realise its full potential.

While it is far from being a bad film, ‘Angry Ranger’ is just too average and uninspiring to be worthy of all the acclaim it has garnered.

It’s doubtful whether even non-action audiences will be fully satisfied by this entertaining, but insubstantial production

Director Yee Chung-Man combines the conventions of commercial film-making with the subtlety of art-house cinema, but never loses the main heart of the film.

The lack of urgency and often confusing nature of the plot means ‘Armageddon’ is never as engaging or exciting as it could have been.

The last twenty minutes alone are worth anyone’s money, as you will undoubtedly rewind in order to be repeatedly amazed by one of the greatest physical performers of any generation.

For anyone new to Jackie Chan, ‘Armour Of God II: Operation Condor’ is a must-see film that shows how incredible the Hong Kong superstar was in his prime.

A tapestry of emotion, audaciously flashing backwards and forwards and shifting voice-overs to piece together the moments that have led the characters to the barren wastes of the desert.

Well worth giving your time to, as long as you’re prepared for things to go out on a whimper rather than a bang.