Country: Philippines

There’s plenty of silly villains, hammy dialogue and unnecessary boob shots to keep you entertained.

‘Bloodfist 2050’ certainly recaptures the feeling of 90s American martial arts B-movies, so much so that it actually winds up feeling a little late to the party.

Obviously I still wouldn’t call it good in the traditional sense, but it is a familiar slice of cheese that certainly goes down easily.

We could be reaching fatigue with this style of relentlessly violent edged, Eastern set action flick but ‘BuyBust’s commitment to its own vibe and the impressive setting make it a worthwhile investment.

‘Eerie’ may adhere to cliché and an over-reliance on jump scares but thanks to an effective sense of dread conjures up a worthwhile watch in the long-haired-scary-ghost-girl genre.

A B-movie with some bite, ‘Maria’ stumbles with its by-the-numbers story and unnecessary scenes of torture but is saved by some cool fight scenes and a fierce lead performance from Cristine Reyes.

Borrowing heavily from Nakata’s ‘Dark Water’ and Kubrick’s ‘The Shining’, Laranas’ ‘The Echo’ brings nothing new to the overcrowded Asian horror market.

If you want an added fix of Richard Norton go for something better like ALL of his HK films or even his US efforts with Cynthia Rothrock.

‘Tough Beauty And The Sloppy Slop’ is a blatantly cheap production, but it does have a little old school charm that makes it far more appealing than you would expect.

‘Ultracop 2000’ is a risible film which attempts to be an action, comedy, fantasy film, but fails miserably on all counts.