Genre: Comedy

Although this movie marks the fifth big screen outing for the ‘One Piece’ pirate crew, the series is showing no signs of weakness and continues to churn out one successful adventure film after another.

While I don’t think I could call it my favourite of the ‘One Piece’ movies, this seventh outing is yet another fine example of how to make a very entertaining side story.

Although it barely scratches the surface in terms of the quality of the show, this is a good example of how to make an anime series into a film without giving away any of the finer details.

The over-the-top style that is often associated with this sub-genre of comedy may not be to everyone’s taste, but it remains entertaining and raises the odd chuckle.

What the potential viewers will get with this enjoyable production is a solid combination of some amusing comedy scenes, a few dramatic moments and a couple of well choreographed action sequences.

This film has been elevated to cult status in recent years and has become a huge favourite with a world-wide audience. All of this is thoroughly deserved.

For anyone who wants something a bit different from Hong Kong’s blockbusters, this may be a worthwhile purchase. Be warned, though, that ‘Osaka Wrestling Restaurant’ is not going to be to everyone’s taste.

‘Our Little Sister’ is another beautiful work to add to one of the most impressive canons in world cinema, a sincerely-acted, thoughtful meditation on family and the relationship between very different sisters.

The fight action is apologetic, the comedy forced and the complete package a grave disservice to the young audience it was obviously intended for.

There is not as much fighting as older Sammo films, but what is on show is up to his modern-day best – also showcasing Sammo’s last great physical performance.

Although Sammo and Maggie rarely create any convincing chemistry, the film contains enough action and laughs to entertain most Hong Kong fans.

It’s easy to see why ‘Parasite’ won the Palm d’Or at the Cannes Film Festival. Bong Joon-ho’s latest is no mere pretender to greatness; it’s the genuine article.