Rating: 3.5

While I don’t think I could call it my favourite of the ‘One Piece’ movies, this seventh outing is yet another fine example of how to make a very entertaining side story.

It’s bloody, down and dirty, and the highlight is the stalk and slash sequence of Adkins making his way through various buildings taking out bad guys with a knife.

I’d say if you love your action then you won’t be disappointed but I still can’t shake the feeling that if Tony hadn’t left the set half way through, things might have been even better.

Lam has made better films but, along with Benny Chan, he is at the forefront of Hong Kong action in terms of delivering large scale spectacle.

What the potential viewers will get with this enjoyable production is a solid combination of some amusing comedy scenes, a few dramatic moments and a couple of well choreographed action sequences.

It’s big, it’s brash and in several sequences surprisingly gory but ‘Operation Red Sea’ is big screen, blockbusting action done well.

While ‘Overheard’ was an excellent homage to the great American conspiracy films of the 70s, the in-name-only sequel is a more routine two hours with a far less incisive denouement.

The third instalment in the ‘SPL’ franchise sees original director Wilson Yip return for another dark crime tale that doesn’t skimp on the nihilism or the hard edged fight action.

Though it disappoints with the actual heart of the film, there is nonetheless something quite welcoming about a work that is so different from the usual fare.

The real draw, and the skill of Chor Yuen, is to make an ensemble of eccentrics, oddball antagonists and superheroes appealing and a means of covering up the unapologetic holes in the narrative.

Taking the concept of multiple personalities and giving it a sci-fi twist, ‘Plurality’ is a confident and well shot attempt at copying the Hollywood gloss

There is much to appreciate here, especially a plot with enough turns and twists to keep the viewer attentive and characters who go beyond their stereotypes as the villain’s motives unfold.