Release Year: 2020

Buoyed by two incredible performances from the young leads the film offers a fun take on two youngsters in the digital age using their grasp of tech to help them survive.

A visually splendid hybrid of family drama, survival story and environmental clarion call, ‘Anima’ is a haunting feature that certainly leaves an impression.

‘Beyond the Infinite Two Minutes’ has enough effortless charm and genuine heart to mean that this is more than just an exercise in playing that beloved narrative device of time-travel.

This is a surprisingly exciting and often blackly comic thriller that borrows from ‘Prison on Fire’ but does so with real skill.

‘Crocodile Island’ is deadly earnest which doesn’t quite work when characters are facing spiders the size of a shire horse.

This is pulp noir action done right, the banter as sharp as the flying fists and Johnson wisely builds on the first film adding depth to French and Sue as their bond deepens.

Despite using well worn action tropes as a framework to pit two men against one another, the film spins a refreshing take on these tropes to constantly surprise the viewer and ultimately deliver an emotional wallop.

Big of budget and large in scope, ‘Double World’ starts out promising and begins to build to something rather exciting before petering off in the final third when it can’t quite keep up its momentum.

Most of the film’s jokes are lame and the plot would be familiar to those who have seen more than a couple of 80s’ Hong Kong movies.

It’s good to see Hong Kong actor/composer Lowell Lo again, and Andy Lau is always charming. Nevertheless, ‘Find Your Voice’ is as subtle as a hammer to the kneecaps.

Much like a television movie version of ‘God of Gamblers’, but stripped of many of the elements that made the original work, this 2020 unofficial update is low budget and low entertainment value.

A pretty cool concept for this Taiwanese horror is all but wasted under a slew of clichés, incredibly muddled plotting, and not enough decent scares.