Cast Member: Lee Hoi-Sang

Anyone searching for a traditional kung-fu flick that is filled with sublime choreography need look no further than this.

‘Opium and the Kung Fu Master’ is top-notch old school action but it can’t quite get away from some things that used to mar such films.

Using the conventions of the 30’s Hollywood swashbucklers mixed with his insane stunts and sublime fight action, Chan produced one of his best ever films.

It was impossible to match the original classic, but Chan pulled out all of the stops to make sure he gave it his best.

Far more subtle than Chow Sing Chi, but certainly as funny, ‘Security Unlimited’ is an excellent introduction to the world of the Hui brothers.

There are some plot holes that become apparent as the film continues, but good quality action and a fine cast cover a multitude of sins.

‘Shaolin Intruders’ doesn’t offer any of the genre-defining moments that leap out of the true masterpieces of the genre.

Although ‘Shaolin Mantis’ is a well made and above average, it undoubtedly disappoints when compared with Liu Chia-Liang’s best work.

If you like seventies cheese then you might want to pick this one up. Otherwise it’s probably best to avoid unless you happen to be a hardcore Shaw Brothers or Ti Lung fan.

While I normally find myself quite happy to suspend disbelief for a Gu Long/Chor Yuen collaboration, ‘Swordsman And Enchantress’ is a real test of my patience.

Liu Chia Liang’s ‘The 36th Chamber Of Shaolin’ is an important cinematic moment and remains influential not just in Hong Kong film-making, but also globally.

Unfortunately, for veterans of old-school flicks, the choreography on display here is nothing new, and a lot of it takes place in the dark, which makes it less than easy to follow.