Country: Hong Kong
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Mr. Cinema
May 1, 2015If the more ambitious nature of the production can be ignored and the awkward jingoism put to one side, ‘Mr. Cinema’ can be enjoyed as a well-performed, sometimes captivating film.
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Mr. Coconut
May 1, 2015Thrown together rather than constructed, this is a production where the director has little idea how to generate organic laughs from situations and must therefore shoe-horn them in.
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Mr. Nice Guy
May 1, 2015The action and the winning persona of the lead are reasons to give this four stars, but the obvious deficiencies means it’s only a three.
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Mr. Smart
May 1, 2015Kent Cheng shows that he was a fine character actor and a capable enough director to make this rise above its modest potential.
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Mr. Vampire
May 1, 2015This is the definitive comedy horror, which coupled with Sammo Hung’s own ‘Encounter Of The Spooky Kind’ provide the two greatest examples of the genre, and therefore should not be missed.
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Mr. Vampire II
May 1, 2015Not a waste of time by any means, and certainly a nice addition to the main stars filmographies, however, it is certainly not up to the standard of its ground breaking prequel.
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Mr. Vampire III
May 1, 2015This is a worthy purchase for fans of the genre, and the minimal action is well handled and true to the spirit of the genre.
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Mr. Vampire Saga IV
May 1, 2015This is possibly the second best of the true Mr. Vampire films and is a worthy purchase for all HK Horror fans.
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My Dream Girl
May 3, 2015I’ve lost 90 minutes of my life that could’ve been more productively spent on getting rid of those pesky nostril hairs. Make sure you don’t make the same mistake.
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My Father Is A Hero
May 3, 2015‘My Father Is A Hero’ provides some adrenalin pumping set-pieces, notably a classic scene where Li takes on a dozen of the villain’s lackies with a pair of tonfa.
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My Hero
May 3, 2015‘My Hero’ is unlikely to blow you away, but it’s still a decent 90’s gangster flick that benefits from Chow’s inclusion.
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My Kung Fu Sweetheart
May 3, 2015One’s enjoyment of ‘My Kung Fu Sweetheart’ depends on one’s appreciation, or tolerance, for Wong Jing’s films.