All Film Reviews

The simple fact is that Xiaogang’s latest work is the kind of slick, seamless film that one can admire as much as enjoy.

‘Phobia 2’ sees many of the previous entry’s directors, writers and producers return to now tell five new short tales of terror and is, surprisingly, a superior slice of portmanteau horror.

Episodic like a Hui Brothers film but without the sharp humour, ‘Plain Jane To The Rescue’ is an enjoyable diversion though it may test the patience of some fans.

Though it toys with our patience, this is the kind of rom-com that leaves you with a gormless grin on your face after it ends.

Taking the concept of multiple personalities and giving it a sci-fi twist, ‘Plurality’ is a confident and well shot attempt at copying the Hollywood gloss

Full of strong performances and that subtle yet unrelentingly grim atmosphere that Asian films do so splendidly, ‘Pluto’ is a necessary film.

‘Police Story’ is one of the finest examples of 80’s Hong Kong cinema, with so many amazing elements that make it a joy to behold.

Despite its finale, ‘Police Story 2’ is worthy edition to any JC collection, and another example of how Hollywood action is made to look pathetic in comparison.

There is much to appreciate here, especially a plot with enough turns and twists to keep the viewer attentive and characters who go beyond their stereotypes as the villain’s motives unfold.

This is another great slice of entertainment JC style, and was one of his best performances before his physical shape noticeably began to deteriorate in the mid-90’s.

‘Pom Pom’ is a typically enjoyable 80’s Hong Kong comedy that will definitely strike a chord with fans of the ‘Lucky Stars’.

‘Pom Pom And Hot Hot’ is a film where a fast forward button is a necessity. Too much of the film is bogged down in very tired routines that drastically slow down the pace.

With this fourth part the formula remains in place and the whole production has the very comfortable feeling of familiarity to it.

‘Ponyo’ is yet another strong Hayao Miyazaki movie that is as uplifting and enthralling as ever.

‘Poppoya’ is unlikely to be a film that many will feel passionately attracted to, but it succeeds because you feel drawn into the central dynamic and intrigued by what troubles the lead protagonist.

‘Postmen In The Mountains’ is full of charming and touching episodes that occur on the travels of the two leads.

If the rest of the film had been as good as the last half hour then ‘Prince of the Sun’ would be more fondly remembered.

A fantastical story filled with a meaningful narrative and superb characters. Truly another masterpiece from the mind of Miyazaki.

‘Prisoners of the Ghostland’ unfortunately doesn’t deliver on its promise of uniting Cage and Sono in a tale of post-apocalyptic rescue.

By no means unexciting, the choreography still lacks a stylish edge and tends to appear archaic at times. This is compensated by director Chai Ying Min’s brave concentration on the various relationships of the story.

Using the conventions of the 30’s Hollywood swashbucklers mixed with his insane stunts and sublime fight action, Chan produced one of his best ever films.

It was impossible to match the original classic, but Chan pulled out all of the stops to make sure he gave it his best.

Stanley Tong continues to show his skill in the action genre with more kinetic direction.

The makers conjure an intense and propulsive energy that keeps the flick moving and engaging, mounting the action with innovative verve to deliver powerful action scenes.